Tasalsul II draws inspiration from Luciano Berio’s Sequenza II for solo harp, initially echoing its opening before evolving into a melodic, sorrowful lullaby with microtonal nuances from the Arab maqamat. The harp shifts into a perpetual motion, showcasing pyrotechnic plucking across its range, punctuated by moments of ululation produced by rapid pedal changes. Climaxing with arpeggiated, tertian-based harmonies adorned with pedal glissandi, the piece concludes by retracing its opening, evoking a journey back home.