Shifting Sands
Complimentary study copy, emailed right away.
Premiered by: Dzovig Markarian (piano)
Venue: Meng Hall, Fullerton, California
- 2015ASCAP Morton Gould AwardWinner
- Feb 2, 2019Genevieve Feiwen Lee · Ussachevsky Festival, Pomona CollegeClaremont
- May 19, 2018Marc Peloquin · Keyed Up Music Project, Joan Tower UpClose
- Nov 4, 2017Humay Gasimzadeh · Scholes Street StudioBrooklyn
- Jun 22, 2017Jamila Tekalli · Blue Bamboo Center for the ArtsOrlando
Shifting Sands constantly wavers unpredictably between the distinctive strands of Western and Arabic music, seeking to fuse the evocative, other-worldly sound of the “maqam” (scale in Arabic) within a Western scheme and tonality. The structure of the work is influenced by “tarab,” the Arabic word for a continuous state of musical ecstasy. One of the main ideas of the piece involves an undying, repetitive pulse from the piano that sets up an uninterrupted framework for the passage of roving scalar runs that dance all over the piano. In an abstract sense, that music is akin to the monolithic presence of the vast Arabian deserts as a backdrop for the hundreds of thousands of nomads that have traversed their ancient sands.
Programming Shifting Sands?Version A
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